Best AV receivers for your needs

Start with the physical speakers you intend to install. Then count the HDMI devices and displays, check cabinet clearance and decide whether a separate amplifier or room-correction license belongs in the plan.

Top picks by situation

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Plan your receiver connectionsPlan my setup

Check a documented speaker layout against HDMI sources and external-amplifier plans.

27 models match your answers27 receivers support this setup

Your 5.1.2 layout needs 7 speaker channels. Your devices need 3 HDMI inputs, including 1 for 4K at 120Hz.

A powered subwoofer is separate from the speaker-channel count. This checks one main room. Zone 2, bi-amping and unusual speaker assignments need another manual check. Allow ventilation space and confirm HDMI settings, cables and speaker impedance before installing.

Position 2
Denon AVR-S670H

Denon, AVR-S670H

AVR-S670H

A five-speaker receiver with six HDMI inputs, HEOS streaming and a moving-magnet phono input. It suits a room that will stay at 5.1.

Best fit forFive-speaker film and record listening

Why it fits

  • 5 built-in amplifier channels and 5 main processing channels
  • 6 HDMI inputs, including 3 supporting 4K120 video
  • 1 HDMI output

Know the trade-offs

  • No physical height-speaker layout is supported.
  • Three of the six HDMI inputs support 4K120, so plan the gaming connections.
Position 3
Denon AVR-S770H

Denon, AVR-S770H

AVR-S770H

Seven amplifiers cover either 7.1 surround or 5.1.2 with two heights. Six HDMI inputs and HEOS suit a mixed movie, game and music system.

Best fit forA first 5.1.2 system with several sources

Why it fits

  • 7 built-in amplifier channels and 7 main processing channels
  • 6 HDMI inputs, including 3 supporting 4K120 video
  • 1 HDMI output

Know the trade-offs

  • Adding four height speakers requires a different receiver.
  • One HDMI output means a TV and projector need separate switching.
Position 4
Denon AVR-S970H

Denon, AVR-S970H

AVR-S970H

A seven-amplifier receiver with two HDMI monitor outputs. Its practical role is a 5.1.2 or 7.1 room that uses both a TV and a projector.

Best fit forA TV and projector sharing a seven-speaker system

Why it fits

  • 7 built-in amplifier channels and 7 main processing channels
  • 6 HDMI inputs, including 3 supporting 4K120 video
  • 2 HDMI outputs

Know the trade-offs

  • The second display connection does not add processing channels.
  • No full-range main-channel pre-outs for an external power amplifier.
Position 5
Denon AVR-X1800H

Denon, AVR-X1800H

AVR-X1800H

A seven-channel Denon with Audyssey MultEQ XT, HEOS and three 4K120 inputs. It is a focused choice for one display and two height speakers.

Best fit forOne-display 5.1.2 with Audyssey MultEQ XT

Why it fits

  • 7 built-in amplifier channels and 7 main processing channels
  • 6 HDMI inputs, including 3 supporting 4K120 video
  • 1 HDMI output

Know the trade-offs

  • Its seven-channel processing ceiling still applies after setup.
  • Only one HDMI display output is provided.
Position 6
Denon AVR-X2900H

Denon, AVR-X2900H

AVR-X2900H

The 2026 seven-channel model adds front-channel pre-outs and an optional Dirac Live upgrade to a two-display system. Its main-room speaker ceiling remains 7.1 or 5.1.2.

Best fit forSeven channels with a stereo power-amp option

Why it fits

  • 7 built-in amplifier channels and 7 main processing channels
  • 6 HDMI inputs, including 3 supporting 4K120 video
  • 2 HDMI outputs

Know the trade-offs

  • Front-channel pre-outs cannot turn seven-channel processing into 7.1.4.
  • Dirac Live requires a separate license and suitable measurement equipment.
Position 7
Denon AVR-X3900H

Denon, AVR-X3900H

AVR-X3900H

Nine built-in amplifiers and eleven-channel processing allow 5.1.4 now and 7.1.4 with an external stereo amp. Four independent sub outputs support a more involved bass setup.

Best fit forA staged move from 5.1.4 to 7.1.4

Why it fits

  • 9 built-in amplifier channels and 11 main processing channels
  • 6 HDMI inputs, including 6 supporting 4K120 video
  • 3 HDMI outputs documented in the NA manual, including 2 main-room outputs

Know the trade-offs

  • 7.1.4 needs two channels of external amplification and the matching amp assignment.
  • Dirac Live, Bass Control and ART are optional paid upgrades.
Position 8
Denon AVR-X4800H

Denon, AVR-X4800H

AVR-X4800H

A nine-amplifier, eleven-processing-channel receiver with seven fast HDMI inputs and four independent sub outputs. It suits a large source collection and an eventual external-amp expansion.

Best fit forSeven fast sources with 7.1.4 expansion

Why it fits

  • 9 built-in amplifier channels and 11 main processing channels
  • 7 HDMI inputs, including 7 supporting 4K120 video
  • 3 HDMI outputs

Know the trade-offs

  • 7.1.4 still requires an external two-channel amplifier.
  • The published 125W figure is measured with two channels driven, not all nine.
Position 9
Denon AVR-X6800H

Denon, AVR-X6800H

AVR-X6800H

Eleven built-in amplifiers run 7.1.4 without another power amplifier. Thirteen-channel processing, four independent sub outputs and extensive main-channel pre-outs leave room for larger installations.

Best fit forA self-powered 7.1.4 speaker layout

Why it fits

  • 11 built-in amplifier channels and 13 main processing channels
  • 7 HDMI inputs, including 7 supporting 4K120 video
  • 3 HDMI outputs

Know the trade-offs

  • Thirteen-channel layouts require additional amplification and supported speaker assignments.
  • Its 34.4-pound chassis needs a suitably rated, ventilated shelf.
Position 10
Marantz NR1510

Marantz, NR1510

NR1510

A low-profile five-channel receiver with HEOS, a front HDMI input and front-channel pre-outs. Its HDMI video ceiling is 4K60, which suits a modest film and music system.

Best fit forA low cabinet and a five-speaker 4K60 system

Why it fits

  • 5 built-in amplifier channels and 5 main processing channels
  • 6 HDMI inputs, including 0 supporting 4K120 video
  • 1 HDMI output

Know the trade-offs

  • There is no physical Dolby Atmos height-speaker layout.
  • Its HDMI inputs do not pass 4K120 video.
Position 11
Marantz CINEMA 70s

Marantz, CINEMA 70s

CINEMA 70s

The original slim CINEMA 70s combines seven amplifiers with full 7.2 pre-outs in a 4.3-inch-tall chassis. It can anchor a low-profile 5.1.2 room or feed a separate power amp.

Best fit forA low cabinet with two height speakers

Why it fits

  • 7 built-in amplifier channels and 7 main processing channels
  • 6 HDMI inputs, including 3 supporting 4K120 video
  • 1 HDMI output

Know the trade-offs

  • The slim chassis still needs ventilation and cable space.
  • This is the original CINEMA 70s, not the newer Series 2 model.
Position 12
Marantz CINEMA 60

Marantz, CINEMA 60

CINEMA 60

The original CINEMA 60 offers seven main-channel pre-outs, two HDMI monitor outputs and Audyssey MultEQ XT. It suits a 5.1.2 room that may move to external amplification.

Best fit forSeven-channel separates and two displays

Why it fits

  • 7 built-in amplifier channels and 7 main processing channels
  • 6 HDMI inputs, including 3 supporting 4K120 video
  • 2 HDMI outputs

Know the trade-offs

  • Seven-channel processing limits it to two heights alongside a five-speaker bed.
  • This original model should not be confused with CINEMA 60 Series 2.
Position 13
Marantz CINEMA 50

Marantz, CINEMA 50

CINEMA 50

Nine amplifiers, eleven-channel processing and four independent sub outputs support a 5.1.4 system with room for 7.1.4 expansion. All six HDMI inputs support 4K120.

Best fit forFour-height Marantz rooms with an upgrade path

Why it fits

  • 9 built-in amplifier channels and 11 main processing channels
  • 6 HDMI inputs, including 6 supporting 4K120 video
  • 3 HDMI outputs

Know the trade-offs

  • 7.1.4 requires an external stereo power amplifier.
  • Dirac room-correction upgrades are separately licensed.
Position 14
Onkyo TX-NR5100

Onkyo, TX-NR5100

TX-NR5100

A seven-amplifier receiver with four HDMI inputs and two display outputs. It fits a smaller source collection where 5.1.2 and a second display matter more than phono or main-channel pre-outs.

Best fit forFour-source 5.1.2 with two displays

Why it fits

  • 7 built-in amplifier channels and 7 main processing channels
  • 4 HDMI inputs, including 4 supporting 4K120 video
  • 2 HDMI outputs

Know the trade-offs

  • No dedicated phono input or full-range main-channel pre-outs.
  • High-frame-rate HDMI formats have bandwidth limits. Check the actual source format.
Position 15
Onkyo TX-NR6100

Onkyo, TX-NR6100

TX-NR6100

A seven-channel Onkyo with six HDMI inputs, two display outputs and an MM phono input. It gives a mixed-source 5.1.2 room a direct path to both TV and projector.

Best fit forTwo-display 5.1.2 with a turntable

Why it fits

  • 7 built-in amplifier channels and 7 main processing channels
  • 6 HDMI inputs, including 3 supporting 4K120 video
  • 2 HDMI outputs

Know the trade-offs

  • Dirac Live is not included on this model.
  • The US model has no full-range main-channel pre-outs. Regional versions differ.
Position 16
Onkyo TX-NR7100

Onkyo, TX-NR7100

TX-NR7100

Nine amplifiers power 5.1.4 or 7.1.2, with full-bandwidth Dirac Live Room Correction included. A seventh HDMI input on the front helps with temporary devices.

Best fit for5.1.4 with Dirac included

Why it fits

  • 9 built-in amplifier channels and 9 main processing channels
  • 7 HDMI inputs, including 6 supporting 4K120 video
  • 2 HDMI outputs

Know the trade-offs

  • Nine-channel processing stops short of 7.1.4.
  • No full-range main-channel pre-outs for a separate power amplifier.
Position 17
Onkyo TX-RZ30

Onkyo, TX-RZ30

TX-RZ30

A nine-channel receiver with full-range pre-outs and a full-bandwidth Dirac Live license. It suits a 5.1.4 system that may use external amplifiers without adding processing channels.

Best fit forNine-channel Dirac with power-amp flexibility

Why it fits

  • 9 built-in amplifier channels and 9 main processing channels
  • 6 HDMI inputs, including 6 supporting 4K120 video
  • 2 HDMI outputs

Know the trade-offs

  • External amplification does not lift its nine-channel processing ceiling.
  • Dirac Live Bass Control is an optional extra rather than part of the included license.
Position 18
Onkyo TX-RZ50

Onkyo, TX-RZ50

TX-RZ50

Nine built-in amplifiers and eleven-channel processing support a later 7.1.4 system with an external stereo amp. Dirac Live Room Correction and a front HDMI input are included.

Best fit forDirac now with 7.1.4 expansion later

Why it fits

  • 9 built-in amplifier channels and 11 main processing channels
  • 7 HDMI inputs, including 6 supporting 4K120 video
  • 2 HDMI outputs

Know the trade-offs

  • 7.1.4 needs a separate two-channel amplifier.
  • Its two subwoofer jacks carry the same signal and do not provide independent subwoofer adjustment.
Position 19
Yamaha RX-V4A

Yamaha, RX-V4A

RX-V4A

A five-channel MusicCast receiver with four HDMI inputs and YPAO setup. It works for a room staying at 5.1, especially when MusicCast is already part of the home.

Best fit forA five-speaker MusicCast room

Why it fits

  • 5 built-in amplifier channels and 5 main processing channels
  • 4 HDMI inputs, including 4 supporting 4K120 video
  • 1 HDMI output

Know the trade-offs

  • No physical Atmos height-speaker layout or phono input.
  • 4K120 depends on supported video format, firmware and HDMI hardware revision. Early units may need a board update.
Position 20
Sony STR-AN1000

Sony, STR-AN1000

STR-AN1000

Seven amplifier channels support 7.1 or 5.1.2, with Sony wireless rear-speaker compatibility and two HDMI display outputs. Two of its six HDMI inputs handle 4K120.

Best fit forA Sony wireless-rear 5.1.2 system

Why it fits

  • 7 built-in amplifier channels and 7 main processing channels
  • 6 HDMI inputs, including 2 supporting 4K120 video
  • 2 HDMI outputs

Know the trade-offs

  • Three separate 4K120 sources exceed its two high-frame-rate inputs.
  • A turntable with phono-only output needs an external phono stage.
Position 21
Denon AVR-S980H

Denon, 301130-01-00-101

AVR-S980H

A seven-channel receiver for a TV and projector sharing the same source, with documented 1440p high-refresh input support. Powered second-room speakers use the amplifier channels otherwise available for rear or height speakers.

Best fit forA TV and projector sharing a 5.1.2 system, with a confirmed 1440p gaming route

Why it fits

  • Seven built-in amplifier channels support 5.1.2 or 7.1 main-room layouts.
  • Six HDMI inputs, three supporting 4K120, and two same-source HDMI monitor outputs.
  • US manual explicitly lists 1440p100/120 input formats. Higher bit depths require the documented 8K Enhanced setting.

Know the trade-offs

  • The two HDMI outputs show the same source. They do not supply independent programs to two rooms.
  • Powering a second room leaves five main-room amplifier channels. Do not plan on powered Zone 2 and 5.1.2 Atmos together.
Position 22
Yamaha RX300A

Yamaha, RX300ABL

RX300A

A five-amplifier receiver for an ordinary surround setup or three front speakers plus two heights. Its Atmos option is useful where rear placement is impractical, but it cannot keep five surround speakers and add heights together.

Best fit forA front-focused Atmos layout without buying a seven-channel receiver

Why it fits

  • Five built-in amplifier channels with 5.1 and 3.1.2 layout options.
  • Four HDMI inputs, one eARC output and documented 4K120/8K support, subject to signal-format conditions.
  • Bluetooth Multipoint supports switching between two paired devices.

Know the trade-offs

  • Five amplifiers support 5.1 or 3.1.2, not 5.1.2. Adding two height speakers means giving up the surround pair.
  • Powered Zone B uses the same amplifier pair as surround or height speakers. It leaves three main-room channels.
Position 23
Yamaha RX500A

Yamaha, RX500A B

RX500A

Keeps a five-speaker surround system while adding two heights, in the same body size as RX300A. Network music is built in, but its powered Zone B still shares the main source and the height-speaker amplifiers.

Best fit forFive surround speakers plus two heights, with built-in Google Cast and supported network music

Why it fits

  • Seven amplifier channels support 5.1.2 or 7.1 main-room layouts.
  • Four HDMI inputs and one eARC output with documented 4K120/8K formats.
  • Built-in Wi-Fi, Ethernet, Google Cast, AirPlay 2 and supported Spotify, TIDAL and Qobuz Connect services.

Know the trade-offs

  • Four HDMI inputs may be restrictive when two consoles, a player and a streaming box already fill them.
  • Zone B shares the main-room source. Independent volume does not let another listener choose a different program.
Position 24
Marantz CINEMA 40

Marantz, US black standalone receiver

CINEMA 40

A nine-amplifier receiver for a four-height room, multiple subs and a TV-plus-projector setup. It also converts supported older video sources to HDMI, but seven ear-level speakers plus four heights still need a separate amplifier.

Best fit forA mixed old-and-new media room with several subs and an existing or planned stereo power amp

Why it fits

  • Nine amplifiers with eleven main processing channels.
  • Four independent sub outputs and seven rear high-refresh HDMI inputs.
  • Two main HDMI outputs plus Zone 2 HDMI.

Know the trade-offs

  • 7.1.4 requires two external amplifier channels. Powered extra rooms also use the built-in amplifier budget.
  • Dirac is an optional paid upgrade. Audyssey XT32 is included.
Position 25
Marantz CINEMA 30

Marantz, US black standalone receiver

CINEMA 30

Eleven built-in amplifiers can run a 7.1.4 room without a second power amp. Thirteen-channel processing leaves a further expansion route, provided you add external amplification and have suitable speaker positions.

Best fit forA wired 7.1.4 theater with several subs and a credible plan for thirteen main speakers

Why it fits

  • Eleven amplifiers and thirteen main processing channels.
  • Four independent sub outputs.
  • Seven rear high-refresh HDMI inputs, two main outputs and one Zone 2 output.

Know the trade-offs

  • Thirteen main speakers still require an external two-channel amplifier.
  • Powered Zone 2 reduces available main-room amplification to nine channels. Dirac licenses cost extra.
Position 26
Onkyo TX-RZ70

Onkyo, US black standalone receiver

TX-RZ70

An eleven-amplifier receiver that combines one-box 7.1.4 with included full-bandwidth Dirac. Its convenient front HDMI input is slower than the rear sockets, and extra-room playback has source and speaker-sharing limits.

Best fit forA 7.1.4 system with one or two subs where included Dirac and accessible visiting-source connections matter

Why it fits

  • Eleven amplifiers and two separately adjustable sub outputs.
  • Six rear 40 Gbps HDMI inputs plus a limited 9 Gbps front input.
  • Separate main, sub-monitor and Zone 2 HDMI outputs.

Know the trade-offs

  • Main-room processing stops at eleven channels. Adding a power amp does not create a 7.1.6 system.
  • Front HDMI has stricter formats. In a 7.1.4 setup, powered Zone 2 turns off the surround-back pair.
Position 27
Yamaha RX-A2A

Yamaha, US black standalone receiver

RX-A2A

A seven-channel MusicCast receiver with seven source inputs and a separate Zone 2 audio path. It suits a single display, but gaming hardware revision and the source feeding that second room need checking before buying.

Best fit forA single-display MusicCast home using 5.1.2 and non-HDMI second-room sources

Why it fits

  • Seven amps and seven HDMI inputs, with three 24 Gbps high-refresh inputs.
  • Front left/right pre-outs, MM phono and MusicCast.
  • External Zone 2 output supports a separate amplifier, subject to source restrictions.

Know the trade-offs

  • One HDMI output and seven main processing channels. Front-only pre-outs do not create four-height Atmos.
  • Check HDMI board revision and firmware for high-refresh gaming. Zone 2 excludes HDMI source audio, and its powered speakers take the height pair’s amplifiers.
Position 28
Yamaha RX-A6A

Yamaha, US black standalone receiver

RX-A6A

Nine built-in amplifiers and eleven-channel processing suit a system that grows in stages. Seven high-refresh inputs and analog-video conversion can simplify a crowded media cabinet, with a separate amplifier needed for 7.1.4.

Best fit forA MusicCast household reusing a stereo amp or combining current gaming with older video sources

Why it fits

  • Nine amplifiers, eleven main processing channels and full pre-outs.
  • Seven 40 Gbps HDMI inputs and three outputs.
  • YPAO multipoint calibration, MusicCast and two separately configurable subs.

Know the trade-offs

  • 7.1.4 needs external power for the front or rear-presence pair.
  • Processing stops at eleven main channels. More power amps cannot add six heights to seven ear-level speakers.
Position 29
Yamaha RX-A8A

Yamaha, US black standalone receiver

RX-A8A

Eleven built-in amplifiers make a 7.1.4 MusicCast room possible without a separate power amp. Its extra amplification does not raise the eleven-channel processing ceiling or add inputs beyond the A6A.

Best fit forA one-box 7.1.4 MusicCast installation with seven high-refresh sources

Why it fits

  • Eleven amplifiers and eleven main processing channels.
  • Seven 40 Gbps HDMI inputs and three outputs.
  • YPAO multipoint, MusicCast, MM phono and analog-video to HDMI conversion.

Know the trade-offs

  • Eleven main processing channels remain the limit. It cannot become a thirteen-speaker processor by adding an amplifier.
  • Large receiver installation still needs ventilation and plug clearance. Extra amplifier channels are useful only when the speaker layout uses them.
Position 30
Sony STR-AZ1000ES

Sony, US black standalone receiver

STR-AZ1000ES

A seven-channel receiver with optional Sony wireless rears and two display outputs. It can reduce the speaker-wire run across a shared room, but it does not have the channels for four physical height speakers.

Best fit forA 5.1.2 room with a TV and projector or a difficult rear speaker cable route

Why it fits

  • Seven amplified main channels for 5.1.2 or 7.1.
  • Six HDMI inputs, two high-refresh inputs and two outputs.
  • Compatible Sony SA-RS3S or SA-RS5 rear speakers require current firmware.

Know the trade-offs

  • Only two HDMI inputs support 4K120. Six inputs does not mean six high-refresh connections.
  • No full main-channel pre-outs and no four-height layout. Compatible wireless rears are separate purchases.
Position 31
Sony STR-AZ3000ES

Sony, US black standalone receiver

STR-AZ3000ES

Nine amplifiers allow four physical height speakers around a five-speaker ear-level system. It adds more high-refresh source connections than the AZ1000ES, but its subwoofer pre-outs are not an external-amplifier upgrade path.

Best fit forA settled 5.1.4 room with up to four high-refresh sources and optional Sony wireless surrounds

Why it fits

  • Nine amplified main channels.
  • Six HDMI inputs, four high-refresh inputs and two outputs.
  • Optional SA-RS3S or SA-RS5 assigned as Surround or Surround Back.

Know the trade-offs

  • No full main-channel pre-outs. An external stereo amplifier does not turn this model into 7.1.4.
  • Compatible wireless rears are optional and do not replace four wired height speakers.
Position 32
Sony STR-AZ5000ES

Sony, US black standalone receiver

STR-AZ5000ES

An eleven-amplifier Sony for a complete 7.1.4 layout, with full main pre-outs and an accessible front HDMI socket. It keeps Sony wireless-rear options, while its four high-refresh inputs remain the same count as the AZ3000ES.

Best fit forA 7.1.4 room needing Sony wireless-rear compatibility or full external-amp connections

Why it fits

  • Eleven amplified main channels and full main-channel pre-outs.
  • Seven HDMI inputs including the front input, four 4K120-capable.
  • Two HDMI outputs and DCAC IX.

Know the trade-offs

  • Four high-refresh inputs, not seven. The front input is not a 4K120 connection.
  • Eleven main channels cannot run 7.1.6. Compatible wireless rears and subs are sold separately.
Position 33
Sony STR-AZ7000ES

Sony, US black standalone receiver

STR-AZ7000ES

Thirteen built-in amplifiers can support a 7.1.6 or 9.1.4 layout without a separate power amplifier. That makes sense when the room has suitable extra speaker positions, rather than as an automatic upgrade for an unchanged 7.1.4 system.

Best fit forA planned thirteen-speaker theater where avoiding an extra power amplifier matters

Why it fits

  • Thirteen amplified main channels with full main pre-outs.
  • Documented 7.1.6 and 9.1.4 layouts.
  • Seven HDMI inputs including front, four high-refresh inputs and two outputs.

Know the trade-offs

  • The extra channels need appropriate speaker placement. They do not prove better sound from an unchanged room.
  • Still four high-refresh HDMI inputs and two HDMI outputs. More amplifiers do not add source or display connections.
Position 34
Integra DRX-5.4

Integra, US black standalone receiver

DRX-5.4

A nine-amplifier receiver with included Dirac and eleven-channel pre-outs for a later external-amp upgrade. Its installer-friendly connections do not remove the speaker-sharing and input restrictions on multiroom playback.

Best fit forA wired 5.1.4 installation with included Dirac and a planned stereo amp for 7.1.4

Why it fits

  • Nine built-in amps and 11.2 pre-outs.
  • Seven HDMI inputs including limited front HDMI and two display outputs.
  • Dirac Live Room Correction included.

Know the trade-offs

  • 7.1.4 needs a separate stereo amplifier. Powered Zone 2 can still remove a height pair.
  • Zone 3 pre-outs are unavailable with the documented 5.1.4 and 7.1.4 layouts. Bass Control is an optional paid upgrade.

The choices that matter

How to choose your next AV receiver

Focus on the factors that change which product works best for you.

01

Count the speakers that need amplification

5.1.4 uses nine main speakers. 7.1.4 uses eleven. A receiver can process more channels than it powers, so check the documented external-amplifier layout rather than the number printed beside the subwoofer outputs.

02

Count the right HDMI inputs

Six HDMI inputs do not always mean six 4K120 inputs. Temporary front sockets may have a lower video ceiling. Two display outputs can also share resolution limits when both screens are active.

03

Leave room for the receiver to breathe

Chassis height is only the first measurement. Antennas, speaker plugs, bent HDMI cables and the manufacturer's ventilation allowance all need space.

04

Separate included calibration from paid upgrades

Audyssey, YPAO and AccuEQ versions vary by receiver. A Dirac-ready label does not mean a license or measurement microphone is included. Independent subwoofer outputs also differ from two jacks carrying one signal.

Direct decisions

Compare the choices people actually face

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Head-to-head

Denon AVR-S570BT vs Denon AVR-S670H: S670H adds source count and phono but loses a fourth 4K120 inputCompare Denon S570BT and S670H for a five-speaker room, including fast HDMI inputs, HEOS streaming, turntable connections and room setup.Denon AVR-S570BT vs Denon AVR-S770H: S770H adds two physical height speakers to a five-speaker roomCompare Denon S570BT and S770H for a fixed 5.1 system or two real height speakers, with HDMI source counts and music connections explained.Denon AVR-S670H vs Yamaha RX-V4A: Denon accepts six sources and MM phono, Yamaha fits an existing MusicCast homeCompare Denon S670H and Yamaha RX-V4A for a five-speaker room, including music platforms, phono inputs and Yamaha HDMI hardware checks.Denon AVR-S770H vs Onkyo TX-NR5100: Denon accepts more sources, Onkyo keeps both a TV and projector connectedCompare Denon S770H and Onkyo NR5100 for 5.1.2, with the trade between more source inputs, two displays and turntable connections.Denon AVR-X1800H vs Onkyo TX-NR6100: Onkyo connects TV and projector, Denon suits a single-display 5.1.2 roomCompare Denon X1800H and Onkyo NR6100 for a seven-speaker room, including display outputs, room correction and network music choices.Denon AVR-X2900H vs Marantz CINEMA 60: CINEMA 60 connects a full external amp, X2900H pre-outs cover the front pairCompare Denon X2900H and the original Marantz CINEMA 60 for external amplifiers, a Dirac upgrade, two displays and seven-channel layouts.Denon AVR-X2900H vs Denon AVR-X3900H: X3900H adds four-height layouts and a later amplified 7.1.4 pathCompare Denon X2900H and X3900H for two or four heights, external-amp 7.1.4 expansion, fast HDMI inputs and independent subwoofer outputs.Denon AVR-X3900H vs Onkyo TX-NR7100: Onkyo includes Dirac for 5.1.4, Denon leaves an amplified 7.1.4 upgrade pathCompare Denon X3900H and Onkyo NR7100 for a finished 5.1.4 room or later 7.1.4 expansion, with Dirac licensing and US pre-outs explained.Denon AVR-X3900H vs Onkyo TX-RZ50: Denon separates four subs, Onkyo includes Dirac, both need an amp for 7.1.4Compare Denon X3900H and Onkyo RZ50 for external-amp 7.1.4, independent sub control, included Dirac, front HDMI access and display routing.Denon AVR-X4800H vs Denon AVR-X6800H: X6800H powers 7.1.4 alone, X4800H needs two external amplifier channelsCompare Denon X4800H and X6800H for internally powered 7.1.4, external amplifier needs, legacy video connections and cabinet shelf loading.Marantz NR1510 vs Marantz CINEMA 70s: CINEMA 70s adds physical heights and 4K120 while keeping a slim formatCompare Marantz NR1510 and the original CINEMA 70s for low cabinets, physical heights, 4K120 sources, front HDMI and external amplifier use.Marantz CINEMA 70s vs Marantz CINEMA 60: 70s fits low cabinets, 60 connects two displays, both stop at seven channelsCompare original Marantz CINEMA 70s and CINEMA 60 for cabinet fit, two displays, room correction, power ratings and external amplifier options.Marantz CINEMA 60 vs Marantz CINEMA 50: CINEMA 50 adds four heights and future 7.1.4 at more rack depthCompare original Marantz CINEMA 60 and CINEMA 50 for four heights, fast HDMI sources, independent sub outputs and later 7.1.4 expansion.Onkyo TX-NR6100 vs Onkyo TX-NR7100: NR7100 adds four heights and Dirac, neither expands to 7.1.4Compare Onkyo NR6100 and NR7100 for seven or nine speakers, included Dirac, fast HDMI inputs and a front socket for temporary devices.Onkyo TX-RZ30 vs Onkyo TX-RZ50: RZ30 fits a shorter rack, RZ50 leaves a future 7.1.4 pathCompare Onkyo RZ30 and RZ50 for nine-speaker rooms or 7.1.4 expansion, with processing limits, main pre-outs and rack dimensions explained.Sony STR-AN1000 vs Denon AVR-S770H: Sony adds wireless-rear options, Denon accepts a third fast source and phonoCompare Sony AN1000 and Denon S770H for wireless rears, two displays, three fast HDMI sources, phono inputs and real 5.1.2 speaker layouts.Denon AVR-S770H vs Denon AVR-S970H: S970H connects two displays without adding channels or fast HDMI inputsCompare Denon S770H and S970H for a TV and projector, the same 5.1.2 speaker plan, published power and available cabinet space.Denon AVR-X1800H vs Denon AVR-X2900H: X2900H adds a second display and paid Dirac option, both have front pre-outsCompare Denon X1800H and X2900H for one or two displays, optional Dirac setup, analog sources and reuse of a front stereo amplifier.Onkyo TX-NR7100 vs Onkyo TX-RZ50: RZ50 adds external-amp connections and a path beyond nine speakersCompare Onkyo NR7100 and RZ50 for a finished 5.1.4 room, external amplifier reuse, future 7.1.4 expansion and receiver shelf clearance.Denon AVR-S770H vs AVR-X1800H: X1800H adds front-amp options, neither exceeds seven channels or one displayCompare Denon AVR-S770H and AVR-X1800H for 5.1.2 speakers, room setup, front pre-outs and gaming inputs. Find out when the X-series upgrade matters.Denon AVR-S970H vs AVR-X2900H: X2900H adds calibration and front pre-outs, not more speakers or HDMI socketsDenon AVR-S970H and AVR-X2900H compared for two displays, a stereo power amp and room correction. See what changes and what remains limited to seven channels.Denon AVR-X3900H vs AVR-X4800H: X4800H adds a seventh HDMI socket, both still need an external amp for 7.1.4Compare Denon AVR-X3900H and AVR-X4800H for seven HDMI devices, 7.1.4 expansion and four subwoofers. Separate useful upgrades from shared capabilities.Onkyo TX-RZ30 vs Denon AVR-X3900H: Onkyo includes Dirac, Denon grows to 7.1.4 and four separate subsCompare Onkyo TX-RZ30 and Denon AVR-X3900H for included Dirac, 5.1.4 speakers and later 7.1.4 expansion. See which receiver avoids your next upgrade.Denon AVR-X1800H vs Sony STR-AN1000: Sony connects two displays, Denon adds phono, neither runs four heightsDenon AVR-X1800H vs Sony STR-AN1000 for gaming inputs, two displays, wireless rear speakers and a turntable. Match the receiver to your existing equipment.Sony STR-AN1000 vs Onkyo TX-NR6100: Sony uses compatible wireless rears, Onkyo adds a third 4K120 sourceCompare Sony STR-AN1000 and Onkyo TX-NR6100 for wireless rears, three 4K120 sources, vinyl and two displays. Choose around the connections you actually need.Marantz CINEMA 70s vs Denon AVR-X1800H: Marantz adds slim fit and full pre-outs, neither grows to four heightsMarantz CINEMA 70s vs Denon AVR-X1800H for a slim cabinet, separate amplifiers and 5.1.2 speakers. Compare full pre-outs with front-only amplifier support.Denon AVR-S970H vs AVR-X1800H: S970H keeps two displays connected, X1800H supports a separate front ampCompare Denon AVR-S970H and AVR-X1800H for a TV plus projector, a stereo power amp and Audyssey setup. See the trade-off hidden by their model numbers.Marantz CINEMA 50 vs Onkyo TX-RZ50: Marantz separates sub settings, Onkyo’s front HDMI has stricter video limitsCompare Marantz CINEMA 50 subwoofer controls with Onkyo TX-RZ50 front HDMI access, including video limits, room routing and setup requirements.Denon AVR-S980H vs Onkyo TX-NR6100: Onkyo offers more second-room routes, neither powers 5.1.2 plus stereo Zone 2S980H or TX-NR6100 for movies, gaming and a second room? Compare shared HDMI outputs, independent zone sources and the limits behind multiroom audio.Denon AVR-S770H vs AVR-S980H: S980H adds a second same-source display, not four-height AtmosCompare S770H and S980H for a shared gaming TV, evening projector and future Atmos speakers. Find out which upgrade solves a real connection problem.Denon AVR-S970H vs AVR-S980H: S980H documents 1440p120, neither adds independent second-room videoCompare AVR-S970H and S980H for 1440p gaming, a TV plus projector and music in a second room. See which limits the newer receiver does not remove.Denon AVR-S980H vs AVR-X1800H: S980H serves two displays, X1800H keeps 5.1.2 with an external kitchen ampS980H or X1800H for a TV, projector and kitchen speakers? Compare the US models by what can work together, including Atmos and external amplification.Denon AVR-S980H vs Marantz CINEMA 70s: Marantz is 2.3 inches lower but 1.7 deeper, ventilation still needs roomCompare S980H and the original CINEMA 70s for low furniture, shallow shelves, a TV plus projector and reusing an amplifier without losing Atmos.Yamaha RX300A vs RX500A: RX500A keeps five surround speakers while adding two heightsRX300A or RX500A for existing surround speakers, a shared family room and kitchen music? See the channel trade-offs hidden behind their Atmos and Zone B labels.Yamaha RX500A vs Denon AVR-X1800H: Denon’s external Zone 2 preserves heights, Yamaha’s powered Zone B uses themCompare RX500A and US AVR-X1800H for family movies, kitchen speakers and a growing collection of HDMI players. Find the limits before buying extra speakers.Yamaha RX300A vs Denon AVR-S570BT: Yamaha trades rear channels for heights, neither powers a full 5.1.2 layoutRX300A or AVR-S570BT for a simple home theater? Compare front-focused Atmos, reused surround speakers and same-program kitchen audio before choosing.Sony STR-AZ1000ES vs STR-AZ3000ES: AZ3000ES adds four heights and two more fast inputsSony AZ1000ES vs AZ3000ES for a shared gaming and movie room. Check four-height wiring, fast inputs and the upgrade that an external amp cannot provide.Sony STR-AZ3000ES vs STR-AZ5000ES: AZ5000ES adds 7.1.4 and full amplifier connectionsSony AZ3000ES vs AZ5000ES for rear speakers, four heights and an existing power amp. See the upgrade limits and what the extra front HDMI socket changes.Sony STR-AZ5000ES vs STR-AZ7000ES: AZ7000ES powers thirteen speakers, HDMI capacity stays the sameSony AZ5000ES vs AZ7000ES for 7.1.4, six heights and front wides. Find the useful channel upgrade and the display or gaming limits that it does not fix.Sony STR-AZ3000ES vs Onkyo TX-RZ50: Sony avoids a rear cable run, Onkyo can grow to 7.1.4Sony AZ3000ES vs Onkyo RZ50 for a shared living room or staged theater upgrade. Compare rear wiring, 7.1.4 expansion and visiting-source connections.Sony STR-AZ5000ES vs Onkyo TX-RZ70: Sony eases rear wiring, Onkyo fits more fast sourcesSony AZ5000ES vs Onkyo RZ70 for one-box 7.1.4. Compare rear cable routes, a crowded gaming setup and the hidden speaker cost of powered Zone 2.Sony STR-AZ7000ES vs Marantz CINEMA 30: Sony powers thirteen speakers, Marantz adds more source routesSony AZ7000ES vs Marantz CINEMA 30 for a thirteen-speaker theater. Compare extra amplifier space, multiple subs and old consoles feeding one HDMI screen.Sony STR-AZ3000ES vs Denon AVR-X3900H: Sony handles the rear cable path, Denon leaves room to growSony AZ3000ES vs Denon X3900H for four heights, awkward rear wiring and a later 7.1.4 upgrade. Compare what the same nine-amp count conceals.Sony STR-AZ1000ES vs Denon AVR-X1800H: Sony connects two screens, Denon connects a third fast sourceSony AZ1000ES vs US Denon X1800H for a TV-and-projector room, three gaming sources or an existing stereo amp. See the useful connections behind 5.1.2.Yamaha RX-A2A vs RX500A: A2A separates room sources, RX500A needs less shelf depthYamaha RX-A2A vs RX500A for family films, kitchen music and a shallow media shelf. Check Zone 2 restrictions, source capacity and the A2A HDMI board.Yamaha RX-A2A vs Sony STR-AN1000: Yamaha keeps more sources, Sony keeps two screens connectedYamaha RX-A2A vs Sony STR-AN1000 for a TV-and-projector room, record player and full source cabinet. Check output count, phono needs and gaming limits.Yamaha RX-A6A vs RX-A8A: A8A powers 7.1.4 alone, A6A saves depth with an existing ampYamaha A6A vs A8A for 7.1.4, an existing stereo amp and limited shelf depth. See why eleven amplifiers still do not mean thirteen-speaker expansion.Yamaha RX-A6A vs Onkyo TX-RZ50: Yamaha keeps seven fast sources, Onkyo brings guest HDMI forwardYamaha A6A vs Onkyo RZ50 for a full gaming cabinet, visiting laptops and a staged 7.1.4 upgrade. Compare port placement, sub settings and extra amp needs.Yamaha RX-A8A vs Onkyo TX-RZ70: Kitchen speakers remove different pairs from the theaterYamaha A8A vs Onkyo RZ70 for 7.1.4 and kitchen speakers. See which main speakers stop during powered Zone 2, plus the difference in seventh HDMI access.Yamaha RX-A8A vs Sony STR-AZ5000ES: Yamaha consolidates old and new sources, Sony eases rear wiringYamaha A8A vs Sony AZ5000ES for a 7.1.4 family theater with old consoles, current games and awkward rear wiring. Find which box removes the real obstacle.Marantz CINEMA 40 vs CINEMA 50: CINEMA 40 adds old-video routing and a seventh inputMarantz CINEMA 40 vs original CINEMA 50 for older consoles, a crowded source cabinet and 7.1.4. Find what the upgrade changes and what still needs an amp.Marantz CINEMA 30 vs CINEMA 40: CINEMA 30 keeps more speakers active across roomsMarantz CINEMA 30 vs CINEMA 40 for one-box 7.1.4, kitchen listening and a later thirteen-speaker room. Count simultaneous channels before upgrading.Marantz CINEMA 40 vs Onkyo TX-RZ70: Marantz adds four sub settings, Onkyo powers 7.1.4 aloneMarantz CINEMA 40 vs Onkyo RZ70 for 7.1.4, multiple powered subs and a busy family media room. Compare complete-system costs and front HDMI limits.Marantz CINEMA 30 vs Onkyo TX-RZ70: Marantz can grow beyond 7.1.4, Onkyo includes DiracMarantz CINEMA 30 vs Onkyo RZ70 for a completed 7.1.4 room or a larger planned theater. Compare expansion, multiple subs and everyday front-source access.Onkyo TX-RZ70 vs TX-RZ50: RZ70 removes the extra 7.1.4 amp and separates sub settingsOnkyo RZ70 vs RZ50 for 7.1.4, two differently placed subs and shared-room listening. See what the upgrade removes and which front HDMI limits stay.Onkyo TX-RZ70 vs Denon AVR-X6800H: Onkyo includes Dirac, Denon leaves room for thirteen speakersOnkyo RZ70 vs Denon X6800H for 7.1.4 now and a larger room later. Compare processing limits, independent subs, license costs and guest-source access.Onkyo TX-RZ70 vs Denon AVR-X4800H: Onkyo avoids the extra amp, Denon handles four independent subsOnkyo RZ70 vs Denon X4800H for a new 7.1.4 theater or a room reusing an amplifier. Compare independent subs, source placement and complete-system costs.Integra DRX-5.4 vs Sony STR-AZ3000ES: Integra supports a later amp upgrade, Sony eases rear wiringIntegra DRX-5.4 vs Sony AZ3000ES for four heights, difficult rear wiring and a later 7.1.4 room. Check why Zone 3 sockets do not guarantee another room.Integra DRX-5.4 vs Onkyo TX-RZ70: RZ70 adds two amps and independent sub settingsIntegra DRX-5.4 vs Onkyo RZ70 for included Dirac, 7.1.4 and second-room speakers. Compare hidden amplifier costs and which main speakers a zone can disable.

Best for a specific need

Which AV receiver fits a room that will stay at 5.1?Choose a receiver for five existing speakers by counting HDMI devices, checking a turntable connection and measuring cabinet space.Which receiver should power five speakers and two heights?Compare receivers for a real 5.1.2 speaker system, with the HDMI inputs, display outputs and room setup tools your installation needs.Which receiver powers four height speakers without an extra amp?Find a receiver that powers five ear-level speakers and four heights, then compare room correction, source inputs and expansion limits.Which receiver runs seven bed speakers and four heights?Plan a 7.1.4 room by separating eleven-channel processing from built-in amplification, including any external amp the layout requires.Which receiver fits a low cabinet without giving up the speaker plan?Compare slim receivers for a low cabinet, with measured chassis heights, cable clearance and the speaker layouts each model supports.Which receiver keeps a TV and projector connected?Keep a TV and projector connected to suitable main-room HDMI outputs, while checking source counts and shared video-format limits.Which receiver works with the power amplifier you already own?Match a stereo or multichannel power amplifier to the receiver's full-range pre-outs, supported speaker layout and processing ceiling.