Main trade-off
Marantz CINEMA 70s
One HDMI display output.
Head-to-head
Choose the original CINEMA 70s when a low cabinet is the hard constraint. Choose the original CINEMA 60 for two displays, Audyssey MultEQ XT or a larger published two-channel power budget. Both remain seven-channel processors.
Before you choose
CINEMA 70s saves 2.2 inches of height but needs 1.2 inches more depth.
What this is based on
The quoted dimensions are 4.3 high and 15.1 deep for CINEMA 70s, against 6.5 high and 13.9 deep for CINEMA 60.
Main trade-off
One HDMI display output.
Main trade-off
The chassis is 2.2 inches taller.


Compare original Marantz CINEMA 70s and CINEMA 60 for cabinet fit, two displays, room correction, power ratings and external amplifier options.
Choose the original CINEMA 70s when a low cabinet is the hard constraint. Choose the original CINEMA 60 for two displays, Audyssey MultEQ XT or a larger published two-channel power budget. Both remain seven-channel processors.
Winner by situation
CINEMA 60's chassis is 6.5 inches tall.
CINEMA 60 has two HDMI outputs.
CINEMA 60 is 1.2 inches shallower.
Both have seven main pre-outs and seven-channel processing.
What matters in practice
CINEMA 70s saves 2.2 inches of height but needs 1.2 inches more depth.
The quoted dimensions are 4.3 high and 15.1 deep for CINEMA 70s, against 6.5 high and 13.9 deep for CINEMA 60.
CINEMA 60's 100W versus 50W rating gives about 3dB of theoretical electrical headroom under matching conditions.
10 × log10(100 ÷ 50) is approximately 3.01dB. Room loudness and multichannel behavior are not established by this calculation.
Both provide seven main-channel pre-outs, so amplification can sit outside either chassis.
Each model has 7.2 pre-outs and seven main processing channels. This does not add further speaker processing.
Check a documented speaker layout against HDMI sources and external-amplifier plans.
Supports your setup
Supports 5.1.2 using the receiver's own amplifiers. Connects 3 HDMI devices, including 1 at 4K/120Hz.
Supports your setup
Supports 5.1.2 using the receiver's own amplifiers. Connects 3 HDMI devices, including 1 at 4K/120Hz.
A powered subwoofer is separate from the speaker-channel count. This checks one main room. Zone 2, bi-amping and unusual speaker assignments need another manual check. Allow ventilation space and confirm HDMI settings, cables and speaker impedance before installing.

Marantz, CINEMA 70s
The original slim CINEMA 70s combines seven amplifiers with full 7.2 pre-outs in a 4.3-inch-tall chassis. It can anchor a low-profile 5.1.2 room or feed a separate power amp.

Marantz, CINEMA 60
The original CINEMA 60 offers seven main-channel pre-outs, two HDMI monitor outputs and Audyssey MultEQ XT. It suits a 5.1.2 room that may move to external amplification.
Meaningful differences
| What changes | Marantz CINEMA 70s | Marantz CINEMA 60 | Why it matters |
|---|---|---|---|
| Chassis height | 4.3 inches | 6.5 inches | CINEMA 70s saves 2.2 inches of chassis height before ventilation. |
| HDMI display outputs | 1 | 2 | CINEMA 60 keeps a TV and projector connected. |
| Included room correction | Audyssey MultEQ | Audyssey MultEQ XT | The calibration tier changes. |
| Published two-channel power | 50W into 8 ohms | 100W into 8 ohms | Both ratings use 20Hz to 20kHz and 0.08% distortion with two channels driven. |
| Chassis depth | 15.1 inches | 13.9 inches | The shorter CINEMA 70s is actually 1.2 inches deeper. |
What you give up
Recommendation switch
Choose Marantz CINEMA 70s. Its 4.3-inch chassis is the lower-profile option. Ventilation space is still required.
Choose Marantz CINEMA 60. Its two main-room HDMI outputs keep both displays connected.
Choose neither. The documented processing or internal-amplifier layouts do not cover this requirement. Choose a receiver with the required physical configuration.
What matters in practice
The CINEMA 70s is 2.2 inches shorter, making it the natural starting point for a low cabinet. It is also 1.2 inches deeper than CINEMA 60. A narrow rear cable gap can therefore overturn a height-only choice. Use the horizontal-antenna dimensions as a chassis reference, then add the manufacturer's ventilation allowance and real cable bend space.
CINEMA 60 offers two HDMI monitor outputs, while CINEMA 70s has one. This is useful for a TV-and-projector room that otherwise needs output switching. Both provide six HDMI inputs and three high-frame-rate inputs, so the source inventory does not distinguish them until the second display enters the installation.
CINEMA 60 doubles the published two-channel power, which corresponds to about 3dB under matching electrical conditions. That is useful context rather than an all-channel volume promise. Both receivers expose seven main-channel pre-outs, allowing a separate power amp if the system needs one. Neither becomes a nine-channel processor, so four-height plans require another receiver.
What the facts say
Useful conclusions from the current AV receivers comparison, followed by the checked facts used to reach them.
None of the 34 models checked covers every part of “Fit a low AV cabinet”, “Use a TV and projector”, and “Reuse a separate power amplifier”, so the recommendation favors the closest practical compromise.
0 matching models from 34 checkedMatch countThe count uses the current product-to-need assignments for “Fit a low AV cabinet”, “Use a TV and projector”, and “Reuse a separate power amplifier”. A need with no documented match does not count.
| Product | Needs matched | Checked facts | Source records |
|---|---|---|---|
| Marantz CINEMA 70s |
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| Marantz CINEMA 60 |
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Ready to choose?
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The chassis must be around 4.3 inches tall
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TV and projector both need HDMI outputs
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